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This is a gorgeously gentle feature debut by the Canadian film-maker Geneviève Dulude-De Celles: a calm and tender portrait of a shy 12-year-old as she yo-yos between childhood and adolescence. It is beautifully acted and full of emotional complexity, although at times the storytelling seems a little derivative, with scenes half-familiar from indie’s back catalogue of coming-of-age movies.
Emilie Bierre is lovely as Mylia, who is so painfully self-conscious that she hides in a toilet cubicle until the bell rings on her first day at a new school. Mylia lives in the sticks with her parents and younger sister Camille, a little scamp who sits at the breakfast table shoving cereal up her nose (played by newcomer Irlande Côté, who lights up the screen every time she appears). There’s a pang of sadness seeing the two girls together: Mylia leaving behind happy-go-lucky girlhood for what looks like a fragile anxious period of being a teenager.
And the world is in a hurry to make her grow up, to sexualise her. One of the popular girls (Cassandra Gosselin-Pelletier), takes a shine to Mylia, inviting her to a party where there’s alcohol and a boy who likes her. (He’s got the shifty look of having just watched two hours of porn on his phone.) A much better option is Jimmy (Jacob Whiteduck-Lavoie), a soulful, long-haired kid in Mylia’s class; he is of Abenaki descent (though a subplot involving racism towards First Nations people at school feels a bit unthought-through).
The script sensitively shows why her choices are a big deal. Which boy will be her first kiss? Should she party with the cool clique? Mylia is creating the blueprint for her identity as a teenager. It’s mostly an engrossing watch, but occasionally generic: these first experiences are pretty universal but feel a little reprocessed. Still, what an impressive debut.
Source: The Guardian
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